MVC-FD5 1997 MVC-FD7 1997
MVC-FD51 1997 MVC-FD71 1998
MVC-FD73 1998 MVC-FD75 1999
MVC-FD81 1998 MVC-FD83 1999
MVC-FD85 1999 MVC-FD87 2000
MVC-FD88 2000 MVC-FD90 2000
MVC-FD91 1998 MVC-FD92 1999
MVC-FD95 1999 MVC-FD97 1999
MVC-FD100 2001 MVC-FD200 2001
MVC-Prototye
87/90 MVC-Analog 90/92
MVC-CD1000 2000 MVC-CD200 2001
MVC-CD300 2002 MVC-CD250 2002
MVC-CD400 2002 MVC-CD350 2003
MVC-CD500 2003-end Mavica Analog Series 1982–1986
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Sony Mavica MVC-CD300
|
| Image Sensor | 2.0 MP, 1/2.7" CCD |
|---|---|
| Resolution | 1600 × 1200 pixels (JPEG) |
| Lens | 3x optical zoom, 6.3–19mm f/2.8–2.9 (41–123mm equiv.) |
| Digital Zoom | 2x (up to 6x total) |
| Macro | Focus as close as ~8cm |
| Storage | 3.5" 1.44MB floppy disk & Memory Stick slot |
| Image Format | JPEG (Fine/Standard), BMP |
| Movie Mode | MPEG (Memory Stick only) |
| LCD | 2.5" TFT color |
| Battery | Sony NP-FM50 InfoLithium (Li-Ion) |
| Connectivity | USB, A/V out, DC in |
| Dimensions | Approx. 126 × 86 × 75 mm |
| Weight | Approx. 410 g (without battery/floppy) |
| Software | Sony PictureGear for Windows |
| Release Price | ~$350 USD |
2MP (marketed in some places as 3.3MP); JPEG compression with Fine/Standard options and BMP support — suitable for prints up to 8×10 and decent web/documentation use.
3x optical zoom (41–123mm equiv.) with macro mode for close-up work.
Hybrid storage: floppy for universal compatibility and Memory Stick for higher capacity and faster write speeds; Memory Stick enables MPEG movie capture.
2.5" LCD for shooting/review and a simple menu system for exposure, white balance, and playback.
InfoLithium batteries provide reliable power; AC adapter available for long sessions.
Pop-up flash with red-eye reduction, self-timer, exposure compensation, and USB file transfer.
Download the official manual (PDF)
My Opinion:
I first handled a CD300 at a local camera
meet in 2003 — seeing a camera that could write to a floppy and also
support Memory Sticks and CD workflows felt like watching the last
chapter of an experimental era. The hybrid approach gave users real
choice: floppy discs for quick, widely-compatible archiving, and Memory
Sticks when capacity and speed mattered. For its day the CD300 struck a
unique and solid balance between practicality and innovation; it’s a
charming reminder of how manufacturers navigated the transition toward
fully solid-state photography.
I have not owned oner but have the CD500 . These cameras I can only
base my thoughts on research of the camera.
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